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Friends for the Mushrooms
Friends for the Mushrooms

Friends for the Mushrooms

HOME ◼︎ CHILDREN ◼︎ STUDY GUIDES ◼︎ BOOK REFLECTIONS ◼︎ LEARNING STORIES ◼︎ TOPICS ◼︎ ESSAYS ◼︎ LINKS◼︎ SPACES◼︎ FOREST SCHOOL RESOURCES ◼︎ WRITING

In the hush of the forest classroom, Emily discovered withered mushrooms and responded not with removal, but with reverence—sculpting clay companions to ease their solitude.

-July 2010

Emily discovers the mushrooms

Emily discovered a cluster of withering mushrooms on the edge of a tree stump. She paused, crouched beside them, and studied their rubbery texture.

“They’re lonely,”

she said softly. Her gaze lingered. Then, without instruction or announcement, she walked to the outdoor clay table, pinched off a small ball, and returned.

One by one, she shaped figures—some upright, some curled—and placed them next to the mushrooms. “Now they have friends,” she whispered.

image

Child Voice

“They’re lonely.”

“They need some friends.”

“I’m making them someone.”

What Learning Might Be Happening?

This moment reveals an emergent ethic of care. Emily wasn’t prompted by adult direction, nor motivated by outcome. She sensed the vulnerability of something small and fading and moved into relationship. Her clay work was not representational in the traditional sense, but relational—each form a gesture of connection. She used clay not as a medium for mastery, but as a bridge.

Educator’s Reflections

What does it mean to witness a child enact empathy not toward another child or adult—but toward fungi? How often do we offer children space to respond to the world with tenderness rather than utility? In Reggio-inspired practice, we consider the hundred languages of children not only as modes of expression, but as invitations to relationship. Here, clay became a language of companionship.

Connections to Reggio Emilia Principles

  • Children as Protagonists: Emily initiated this encounter and determined its meaning.
  • The Environment as Third Teacher: The tree stump and mushrooms created a natural provocation.
  • Expressive Languages: Clay emerged as a mode of care rather than craft.
  • Pedagogy of Listening: Her whisper was quiet, but carried the full weight of her intention.

Possible Continuations

  • Offer a journal or story dictation space for Emily to tell the tale of the mushrooms and their new friends.
  • Invite others to notice overlooked or “lonely” elements in the forest and respond in kind.
  • Explore sculpture as a relational act—who or what might need a companion today?

Keywords: empathy, clay play, outdoor classroom, relationships, nature-based learning, Reggio Emilia

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Challenge Beliefs
Clay
Clay
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Compassion
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Contemplative Pedagogy
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Contesting Early Childhood Series
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Continuum Concept
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Democratic Education
Democratic Education
Design Thinking
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Education
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Educational Theory
Educational Theory
Emergent Curriculum
Emergent Curriculum
Empathy
Empathy
Engineering in Early Childhood
Engineering in Early Childhood
Ethics in Practice
Ethics in Practice
Executive Function in Early Childhood
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Family Constellation
Family Constellation
Family Values
Family Values
Flow States in Childhood
Flow States in Childhood
Forest School
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grit
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Holistic Education
Homeschooling
Homeschooling
Infants
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Lella Gandini
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Loose Parts
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Maker Space
Marshall Rosenberg
Marshall Rosenberg
Mindfulness in Education
Mindfulness in Education
Neohumanist Education
Neohumanist Education
Nothing Without Joy
Nothing Without Joy
NVC (Non-Violent Communication)
NVC (Non-Violent Communication)
Observational Drawing
Observational Drawing
Outdoor Classroom
Outdoor Classroom
Ownership of space
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parenting
parenting
pedagogical presence
pedagogical presence
Pedagogy of Listening
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play
play
Play Based Learning
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Play Schema
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Post-Modern Thinking
Post-Modern Thinking
Preschool Approaches
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Process Art
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Progressive Education
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Provocations
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Ramps and Pathways
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Reading List
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Reggio Emilia Approach
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resilience
Risky Play
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Self Inquiry
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Slow Pedagogy
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Social Constructivism
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